Lee in Cerulean, Halo Vaste I, joint compound and acrylic paint on canvas, 48 x 48 inches. Square textured painting with a deep blue background and a gold circle of concentric raised ridges overlapping the top of a gold arch that rises from the bottom edge.
Lee in Cerulean, Halo Vaste I, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold circle and arch, hung in a dining room above a light wood sideboard, with a glass table, white chairs, and three dark glass pendant lights.
Lee in Cerulean, Halo Vaste I, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold circle and arch in a thin white float frame on a light grey wall.
Lee in Cerulean, Halo Vaste I, joint compound and acrylic paint on canvas, 48 x 48 inches. Square textured painting with a deep blue background and a gold circle of concentric raised ridges overlapping the top of a gold arch that rises from the bottom edge.
Lee in Cerulean, Halo Vaste I, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold circle and arch, hung in a dining room above a light wood sideboard, with a glass table, white chairs, and three dark glass pendant lights.
Lee in Cerulean, Halo Vaste I, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold circle and arch in a thin white float frame on a light grey wall.
LEE IN CERULEAN

Halo Vaste I

$2,200.00
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  • Halo Vaste I
  • Lee in Cerulean (Philadelphia)
  • Joint compound and acrylic paint on canvas
  • Size: 48" x 48"

Jerilee, a Philadelphia-based artist working under the name ‘Lee in Cerulean’, creates striking minimalist pieces. For Lee, simple curves, asymmetry, and overlapping forms reflect the beautiful world around us—and find, within our surroundings, the continuity, serendipity, and at times mundane nature of everyday life. Deriving from the Japanese Wabi-Sabi philosophy’s embrace of imperfection, highly textural pieces show Lee’s freeform strokes, using a blend of joint compound, acrylic paint, and a myriad of other media. Under this philosophical orientation, ridges and built-up materials are a reminder that we continue to evolve, just as nature does.

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